Calendar

Nov
12
Mon
2018
The French Symphonic Organ, concert 2: Darryl Nixon, organist @ St. Andrew’s Wesley United Church
Nov 12 @ 7:00 pm – 9:00 pm

Concert information from RCCO member Darryl Nixon:

St. Andrew’s – Wesley Church is closing… for between 18 and 30 months! This is for a major restoration and seismic upgrading. As I will be without an instrument for about 2 years I thought I would play some repertory dear to my heart starting with the four opus13 Symphonies of Charles Marie Widor. The church is heavily booked, especially evenings, so I have chosen the unusual but available times of some Monday nights starting with October 29 and November 12. Here is the announcement:

The French Symphonic Organ:
Organ Symphonies of  Charles Marie Widor opus 13

-October 29… 7pm Symphonies 1 and 2.

-November 12… 7pm Symphonies 3 and 4

St. Andrew’s-Wesley Church, Vancouver
Burrard at Nelson

Entrance (and exit) by donation

Performance may be projected on front screen

Organ–60 stop Huestis/Casavant

Darryl Nixon-organist

Nov
16
Fri
2018
Choir and Organ Concert @ Maranatha Canadian Reformed Church
Nov 16 @ 7:30 pm – 9:00 pm

The Handel Society will  perform two works for organ and choir, the haunting Requiem by Maurice Durufle, and the rarely heard Mass in D Major by Antonin Dvorak.
The choir is directed by Johan Louwersheimer, and the organist is Vancouver Centre RCCO President, Michael Molnar.

Nov
17
Sat
2018
Choir and Organ Concert @ Willoughby Heights Canadian Reformed Church
Nov 17 @ 7:30 pm – 9:00 pm

The Handel Society will  perform two works for organ and choir, the haunting Requiem by Maurice Durufle, and the rarely heard Mass in D Major by Antonin Dvorak.
The choir is directed by Johan Louwersheimer, and the organist is Vancouver Centre RCCO President, Michael Molnar.

Nov
30
Fri
2018
Sacred Music for Advent at Holy Rosary Cathedral @ Holy Rosary Cathedral
Nov 30 @ 7:30 pm – 9:00 pm

Performed by the Cathedral’s own musicians: organist Denis Bédard and the Cathedral Choir, assistant organist Catherine Walsh and the Holy Rosary Women’s Choir, the Contemporary Choir with director Chito Lacsina, and the Spanish Mass Choir with director Alejandro Frias.

Jan
26
Sat
2019
Michael Dirk accompanies Laurel and Hardy movie at the Orpheum @ The Orpheum
Jan 26 @ 4:30 pm – 5:00 pm

Vancouver RCCO vice president and Saint John Shaughnessy organist Michael Dirk will accompany the Laurel and Hardy silent movie ‘The Second Hundred Years’ on the Orpheum organ, as part of the Vancouver Symphony Orchestra’s 100th anniversary day of music.  https://www.vancouversymphony.ca/event/100th-anniversary-day-of-music/

220px-L&H_Second_Hundred_Years_1927

Jan
28
Mon
2019
The French Symphonic Organ, concert 3: Darryl Nixon, organist @ St. Andrew’s Wesley United Church
Jan 28 @ 7:00 pm – 8:30 pm

Symphonies 6 & 5, Op. 42, by Charles-Marie Widor

Darryl writes: “6 before 5 because that is the order I will play them in and also the order in which they were composed.”

Feb
8
Fri
2019
Earth, Wind, Fire and Life @ St. James Anglican Church
Feb 8 @ 7:30 pm – 9:30 pm

 

EARTHWIND_8.5x14

Enjoy a full spectacle of organ music, video visuals, and stimulating narration featuring commentary by CBC’s Bob McDonald – science guru, host of CBC’s Quirks & Quarks, and author of several books – topped off with exquisite music played by Jenny Vincent on the organ. Audiences will be enraptured by this fascinating, breathtaking, and entertaining programme, wrapped up with spectacular visuals on large screens. This is an event not to be missed.
The first performance on Vancouver Island last year sold out and received ecstatic praise from concert-goers. Bob McDonald, host of Quirks & Quarks  brings science to over 500,000 devoted CBC listeners weekly. He also is CBC’s science correspondent for The National and hosts Heads Up, a series for children. McDonald’s most recent book is Canadian Space Walkers : Hadfield, MacLean and Williams Remember the Ultimate High Adventure.
Jenny Vincent is organist at Knox United Church in Parksville.  She has played an eclectic mix of instruments over her career, ranging from the iconic Hammond B-3 jazz organ to a Casavant Frères 3000+ pipe organ. Jenny has performed throughout Canada and the United States.  “Jenny Vincent is a gifted organist with skill and dedication, who brings music to sparkling life”  ( David Drinkell, Christ Church Cathedral, Fredericton ).  It is Jenny’s passion to make the organ a valued and accepted musical instrument in our mainstream society.

Fanfare for the Common Man                       Aaron Copland

(1900-1990)

         Arranged by Richard Lloyd

EARTH

 

Genesis of a Planet

 

 

Sabre Dance                                            Aram Khachaturian

         (1903-1978)

     Arranged by Friedemann Winklhofer

 

 

The Earth is Alive!

 

Aquarium                                                   Camille Saint-Saens

                                                                                 (1835-1921)    

                                           Transcribed by Ekaterina Melnikova

 

 

WIND

Making It Blow

 

The Ride of the Valkyries                             Richard Wagner

         (1813-1883)

                                                               Transcribed by Edwin Lemare

 

 

Our Protective Blanket

 

Deuxieme Arabesque                                   Claude Debussy

         (1862-1918)

                                                                 Transcribed by Leon Roques

 

 

 

FIRE

Ever Changing, Always the Same

.

Rondo in G                                                     Richard Ellsasser

                                                                                           (1926 – 1972)

                                                               Attributed to John Bull

 

Fire and Life

 

Magic Fire Music                                           Richard Wagner

                                                                                 (1813-1883)

                             Transcribed by Stokowski/James H Rogers

 

 

 

LIFE

Origins

 

Dance of the Water Spirits                     Hans-Andre Stamm    

(b.1958)

 

Life Elsewhere?

Maroondah Merzbau                                              Stephen Ingham

 

    

Transcriptions

Most of the music selections in this program are transcriptions of original works that have been scored for a different instrument or instruments. Usually transcriptions stay close to the original music but often become more of an arrangement with certain aspects of the piece changed to suit the composer and new instrumental needs.

 

Feb
9
Sat
2019
Organist Angelique Po and oboist Fleur Sweetman in Concert @ St. Mark's Evangelical Lutheran Church
Feb 9 @ 2:00 pm – 3:30 pm

Programme (order may change)

J.S. Bach, Fantasia in G major (Pièce d’orgue), BWV 572
G.F. Handel, Sonata in C Major, HWV 365*
Dieterich Buxtehude, Wie schön leuchtet der Morgenstern
Georg Böhm, Auf meinen lieben Gott
Johann Ludwig Krebs, Fantasia in F minor*
Hendrik Andriessen, Sonata da Chiesa
Ernst Friedrich Richter, Wie schön leuchtet der Morgenstern*
Camille Saint-Saëns, Prelude from Op. 99 no. 3

*with oboist Fleur Sweetman

Feb
23
Sat
2019
Organic Voices: Laudate Singers with organist Edward Norman @ Queens Avenue United Church
Feb 23 @ 7:30 pm – 9:00 pm

Solo works by Stamm and Kiefer (see below for more info) and other works with the choir including a new commission by Marco Del Rio (Fire and Snow), Britten’s Te Deum in C and Jubilate Dei, and Gabriel Jackson’s Missa Sanctae Margaretae.

Toccata giocosa (2008)……………………………………………………………………Hans-André Stamm

Hans-André Stamm was born in Germany in 1958. At the age of seven he began piano and pipe-organ studies; at eleven years-old he began touring Europe as an organ virtuoso and made his first recording at the age of 13.  He is renowned for his Bach interpretations and subsequent recordings, and has established a reputation for attractive organ compositions. As the title suggests, this is an eminently cheerful piece, utilizing a traditional organ ‘toccata’ technique in which a ‘perpetuo mobile’ motif is countered by broad, melodic themes.

Jazz prelude on “Die ganze Welt hast du uns überlassen” (2003)…………Hans-Martin Kiefer (melody: Rudolf Siemoneit)

A group of contemporary German composers has been active in exploring jazz idioms for the pipe organ. Apart from the role of the fabled Hammond organ in jazz, gospel and pop, this has not been a traditional idiom for the pipe organ, least of all in a liturgical context! The editors of their recently-published collections – Uwe-Karsten Gross and Gunther Martin Göttsche – state that this music  “…is intended to bear witness to the wealth of colours which can be expressed in jazz”.  This particular composition by Hans-Martin Kiefer – based on a contemporary hymn (or chorus) by Rudolf Siemoneit – is set in a ‘blues’ style. The text translates “You have left to us the whole world”, a text reflecting on Creation and our responsibility towards it.

Mar
2
Sat
2019
Organic Voices: Laudate Singers with organist Edward Norman @ West Vancouver United Church
Mar 2 @ 8:00 pm – 9:30 pm
Solo works by Stamm and Kiefer (see below for more info) and other works with the choir including a new commission by Marco Del Rio (Fire and Snow), Britten’s Te Deum in C and Jubilate Dei, and Gabriel Jackson’s Missa Sanctae Margaretae.
Partita on “Awake, my heart, with gladness”………………………………………Flor Peeters (1903-1986)
Born and raised in Belgium, Peeters began his studies at the Lemmens Institute in Mechelen. In 1923 he became an organ teacher at the Institute; simultaneously acquiring the position of chief organist at the Cathedral in Mechelen, which he held for most of his life.  As an organist and pedagogue, Peeters enjoyed great renown, giving concerts and liturgical masterclasses all over the world. He was a prodigious composer, most of his music being written for the organ, choir or both. Shortly before his death, he was honoured by King Baudouin, bestowing the title of ‘Baron Peeters’.  Flor Peeters made a special study of Renaissance music, particularly the school of Flemish polyphony. These styles were absorbed into his own music, along with twentieth-century techniques. These influences can be heard in this work, which was published in 1950. It consists of a series of variations on a chorale (or hymn) – in this case carrying a celebratory Easter text – leading up to a toccata-style climax, and a final triumphant statement of the chorale itself.

Jazz prelude on “Die ganze Welt hast du uns überlassen” (2003)…………Hans-Martin Kiefer (melody: Rudolf Siemoneit)
A group of contemporary German composers has been active in exploring jazz idioms for the pipe organ. Apart from the role of the fabled Hammond organ in jazz, gospel and pop, this has not been a traditional idiom for the pipe organ, least of all in a liturgical context! The editors of their recently-published collections – Uwe-Karsten Gross and Gunther Martin Göttsche – state that this music  “…is intended to bear witness to the wealth of colours which can be expressed in jazz”.  This particular composition by Hans-Martin Kiefer – based on a contemporary hymn (or chorus) by Rudolf Siemoneit – is set in a ‘blues’ style. The text translates “You have left to us the whole world”, a text reflecting on Creation and our responsibility towards it.